Aug 062008

Tuesday Playlist for 2008.8.5

Uncategorized Comments Off on Tuesday Playlist for 2008.8.5

Intro: Okay, well, I’m a little late starting this one (11:53pm), but it’s still Tuesday, so I declare that this still counts as on-time. I’ve got a lot to get through, so I’m just gonna jump right in.

Listening: Well, my progress up through recent musical history’s brought me more or less up to the present. Been listening to some of my favorite 2007/2008 releases (Our Love To Admire FTW!) and even getting around to checking out some new albums and bands to which I’d been meaning to listen.

Speaking of which: why did no one tell me about the Rakes before? Their song “Binary Love” popped up a few times on one of my Pandora stations, so I added it with the hopes of hearing more of their stuff. Well, as so often happens, one thing lead to another and before I knew it, I’d bought Capture / Release and was using it to soundtrack my drive to Helena this last weekend. Honestly, the album isn’t quite as brilliant as I was hoping, but it’s still pretty strong. “Strasbourg”, “22 Grand Job”, and “Work, Work, Work (Pub, Club, Sleep)” are all fun. Also I’m enough of a geek that I’m pretty sure I want “Binary Love” played at my wedding.

I also grabbed The Last Shadow Puppets debut, The Age of the Understatement. It’s more introspective and complex than either Alex Turner or Miles Kane’s previous work. From the lush string parts on “My Mistakes Were Made For You” to the oddly cacophonous vocal counterpoints on “Separate and Ever Deadly” the album’s full of pleasant little aural surprises. I’m not sure what I think of it as a whole quite yet, but I do like it. If you like either complex, novel rock music or are a fan of either Arctic Monkeys or the Rascals, it’s well worth a listen.

I also just picked Conor Oberst’s new self-titled which just came out today. If you haven’t heard the single off it (“Danny Callahan”), it’s available for download here. If you’d prefer to just stream it:

Warning: it’s not exactly a happy tune. It is, however, beautiful and moving. Speaking of the album…

Upcoming: Wow, how did I not know that Oberst’s new release was due out today until I saw it on Amazon’s frontpage? I seriously need some new sources for upcoming release dates. Metacritic is accurate, but woefully incomplete. The Billboard lists are so noisy as to be practically unusable. News sites are, of course, hit or miss, since they all differ in what releases they deem mention-worthy. Where do you folks hear about new releases?

In concert news, Puddle of Mudd are playing Spokane tomorrow (2008.8.6) night, if you’re into that sort of thing. Also, I learn by way of a comment here at the blog that The Shondes are touring this Fall. They’ll be playing several shows over on the coast. (Alas, none here in the Inland Northwest, but that’s nothing new.) If anyone’s interested, I’m seriously considering heading over to catch the Seattle show. Finally, Alt-Country masters Wilco will be playing Spokane on the 21st of this month. They give a GREAT live show, and if I can scrape together the funds, then I’ll definitely be hitting it up.

News: Did you know that Lee Perry is a dirty old man? Neither did I, but his new single “Pum Pum” is pretty much a stoned, dirty old man’s ode to cruising for sex in nightclubs. Wait, why do I say “pretty much”? That’s EXACTLY what it is. It’s also crazy-groovy. The man has a masterful command of the Dub/Raggae side of things.

(Warning: lyrics are not safe for work, beats are not safe for staying still in one’s seat. Download Link. Hat Tip to 3Hive.)

Also, those perpetually catty folks over at PopJustice are right: the new Streets single is pretty disappointing. I won’t go so far as to say that it’s “shite”, as they so eloquently put it, but it’s definitely no “Stay Positive”.

Thinking: So I’m a huge sucker for unique voices. Voices that, after a few listens, anyone could pick out of a audio lineup. Louise Wener, Tom Waites, Robert Smith. I love artists whose voice is entirely their own. It’s a little like hearing an instrument that no one else in the world can play. Paired with a good writing talent (either their own or a partner’s) and the possesors of such voices can turn out some truly brilliant music. (Louise Wener is a great example of that: a fantastic songwriter with the unique voice necessary to really make her songs her own.)

What I think is really interesting is how often these voices wind up either spawning genres or, at least, defying being placed into them. I think that part of the reason that Alt-Country became a big thing is that Billy Bragg and Jeff Tweedy have such unique voices and musical visions to accompany them. Similarly, I think that the current wave of singer-songwriters is thanks in large part to the unique voices of people like Conor Oberst and Ben Gibbard.

I think that the vocal qualities are one of the key things that shapes a new musical movement or genre. It’s why so many singers in the late 90s sounded like bad Kurt Cobain or Eddie Vedder impersonators. In a way, their voices were distillations of what the genre was meant to sound like.

Just a thought that’s been rattling around in my brain of late.

Song of the Week: I’ve been going back to this tune over and over again ever since I got the album. This is “Orphans”, by Beck, off of Modern Guilt:

Jul 222008

Tuesday Playlist for 2008.7.22

Uncategorized Comments Off on Tuesday Playlist for 2008.7.22

Intro: Well, folks, unfortunately going to be a short one tonight. Work, as always, has me slammed and since I’m working with clients in the Eastern time zone, it means an early morning tomorrow. So here’s a condensed Playlist for you which will have to tide you over until next week or until things calm down enough that I can post a little more frequently.

Listening: The past month or so I’ve really just been listening to old favorites. I think that after almost a year of buying and listening heavily to a new album every week I was kind of craving some of the classics. This week it’s mainly been Thirteen Tales from Urban Bohemia by the Dandy Warhols and a selection of my favorite Cure tracks/albums.

First off, I really have to say that Thirteen Tales from Urban Bohemia is the most underrated albums of the past decade. I honestly think that it’s musically and satirically brilliant. The opener “Godless” to the closer “The Gospel” and peaking with the much-loved single “Bohemian Like You” it really is a masterful sendup of turn-of-the-millennium hipster culture and modern society as a whole. Add to that that it’s full of absolutely masterful rock tunes and you have one of the best rock albums of the new millennium.

Secondly, the Cure. Top 5 Cure tunes. Anyone want to play? Mine are as follows:

1.) “Lovesong” (This is as much because I associate it with someone very special as anything else, but it is a brilliant tune.)

2.) “Grinding Halt” (The Cure do Punk back when Punk was still important? Yes, please!)

3.) “alt.end” (“There’s a big, bright, beautiful world/Just the other side of the door.” Yeah, I think we can all relate sometimes.)

4.) “The Lovecats” (Maybe I’m just weird like that, but I kind of want this song played at my wedding.)

5.) “Killing an Arab” (The Cure riff on Camus; what’s not to like?)

Upcoming: Haven’t really seen anything exciting coming up. I have, however, heard great things about the Hold Steady, so I may need to grab the album they released last week. Also, I’m still loving Beck’s latest and I’m planning to review it as soon as I get a chance.

Oh, and then there’s the new Paul Westerberg album. I’ve never been a huge Replacements or Paul Westerberg fan (pardon me while I dodge brickbats from the audience), personally, but it’s there if you’re into that kind of thing.

News: The new Paul Westerberg (late of the Replacements) album that I mentioned above is for sale through Amazon for only $.49. That’s right, less than half a dollar. The whole thing’s a bit gimmicky: a single-track album, called 49:00, for sale for $.49, on July 19th (or as the calender-impaired Westerberg claims: June 49th). Inexplicably, Mr. Westerberg shies at the last gate: the monotractual (it’s a word now!) album clocks in at just 43:55.

Also, apparently donuts are now the official currency of Pitchfork Media.

Thinking: Why is everyone surprised that John Lydon’s been implicated in a racist dust-up? This is a man who, along with Sid Vicious and co., defined the public shock-persona. At this point, it doesn’t matter whether John Lydon is or isn’t racist; people are scandalized that Johnny Rotten might be. And really, that’s what matters, I think, as far as Lydon/Rotten is concerned.

Song of the Week: Here’s The Cure’s “Grinding Halt” (off their 1979 debut Three Imaginary Boys) accompanied by an awesome stop-motion video done by youtube user badhill:

Jul 102008

“Look it up in the Becktionary.”

Uncategorized Comments Off on “Look it up in the Becktionary.”

OH man.  Beck’s latest album, Modern Guilt, is a dozen kinds of awesome.  Check out the opening track “Orphans” over on iLike.  Groovy, mumbly goodness says I.

And the rest of the album is equally fun.  Probably a review coming at some point, once I get some time to sit down at a computer for purposes other than work and thesis.