Feb 072010

“You need a little time to wake up”

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I was listening to Oasis’ great (What’s the Story) Morning Glory album this weekend with some friends while driving down a bunch of back highways.  A perfect soundtrack for an awesome weekend.  I’m sure I’ve posted this tune before, but here’s a great live version of the title track off the album:

Oct 142008

Tuesday Playlist for 2008.10.14

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Intro: Well it’s been a pretty crazy week here, and I’m beat, so the column may be short this week, but it’ll be on time.

Listening: Okay, so the new Oasis album, Dig Out Your Soul.  I’m not going to go into too much detail, because I’m hoping to post a couple of proper reviews on it later this week.  One will be by yours truly and the other by my long-time friend and total Oasis fanboy Trevor.  (Some readers may remember Trevor from his review of the last Jimmy Eat World album.)  Spoilers: I really like the album, Trevor’s not such a fan.  Basically, I think it’s a hell of a good Rock album and, while it’s certainly not the best Oasis album, it’s their best release since (What’s the Story) Morning Glory?.

I’ve also gotten a chance to give Everything Is Borrowed, the new album by the The Streets a spin, and I was a bit taken aback by it.  It’s much poppier and whimsical than the previous records.  I’m a fan so far (just got it a few days ago), but anyone expecting the gritty sound and smirking, self-aware, satirical style of Original Pirate Material or A Grand Don’t Come for Free will be be surprised.  Mike Skinner’s still making good use of his sharp wit and his accented-yet-agile vocals.  The highly-syncopated aesthetic is still there, but minor tonality has been swapped out for major and themes of the highs and lows of everyday street life have been replaced with more abstract themes and a more symbolic style.

A great example of this new direction is the hoppy, keyboard-heavy “Heaven for the Weather”, the chorus which is, at first blush, Mike Skinner’s take on the conundrum of hell sometimes seeming the better place to end up in the afterlife.  (The chorus observes “I wanna go to heaven for the weather and hell for the company.”)  In classic Streets fashion, however, there’s some depth to the song, which is also about temptation and discerning the right thing to do.

All in all, though, despite its wit, the album isn’t on par with Skinner’s earlier works.  Skinner seems musically out of place without growling samples and gritty, tongue-in-cheek recollections of urban life.  The Hardest Way to Make an Easy Living was not only satirical, incisive, and quick-witted, it was also musically rich without the music distracting in any way from the lyrical focus of the songs.  Skinner obviously knew how to weave his unique vocal stylings in with his Garage-influenced Electronica sound.  With a lighter, more pop-oriented sound, his gruff Mockney accent seems out of place, as does his stuttering cadence.  The result is a sort of aesthetic dissonance which, in places, doesn’t the album a real disservice (especially on track like “The Way of the Dodo” and “The Strongest Person I Know”).

Diehard Streets fans will certainly find some stuff here to like.  There are still clever turns of phrase and some nice beats to be found here and there.  Unfortunately the album is often too disjointed and stylistically dissonant to make for a very rewarding listen.  (E.g. the clash between the light, folksy piano lines and Skinner’s unmelodic, nasally, heavily accented voice on “The Strongest Person I Know” is almost cringe-inducing.)

Upcoming: If you like foppish Mope-Rock, there’s a new Keane album coming out.  If you like overwrought pop versions of Christmas songs, then Sixpence None the Richer has your covered.  If neither are really your thing, well, next week you can get new albums from Kenny Chesney, Electric Six, Brett Dennen, or Of Montreal.  There’s also an EP from Matisyahu due out.  And if none of that appeals to you, well, maybe new music just isn’t your thing?

And they just announced an album by some old timey rock back.  The band’s called Guns and something?  Roses, maybe?  Oh well, their album Chinese Democracy (which has been “in the works” for over a decade) is finally out in November.

Thinking: So all of you need to carve out 90 minutes of your day and listen to this twopart, 90-minute interview with Lester Bangs.  Bangs was THE rock critic 70s and early 80s.  If you want to understand the formation of modern rock music, listen to this interview and then go get a copy of Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader.

The interview is essentially 90 minutes of Bangs’ random musings on the state of the music industry at the turn of the 1980s.  He dwells quite a bit on what’s good and bad in punk/new wave and why they’re important.  It’s a must-listen for Stooges and Velvet Underground fans for that reason if for no other.

News: Björk, Yorke, and Pitchfork, Oh My!  Turns out that Nordic songstress (I use the term loosely) Björk is teaming up with Radiohead frontman Thom Yorke on a new single.  The song, “Nattura” will be released next Monday and Pitchfork Media (who broke the story) are already creaming themselves over it.

Of course, they’ll have tough competition, from that 7-year-old who’s tearing up the charts in the Europe and Asia.

From the “It’s About Damned Time” file, the last venue played by Buddy Holly, The Big Bopper, and Ritchie Valen’s is being declared a Rock and Roll landmark by the Rock and Roll hall of fame.

I think that’s about it.  Oh, save for the stunning news from the EU that loud music  still bad for your hearing.

Song of the Week: Well, it’s no secret that I’m a huge fan of John Lee Hooker.  I ran across this recording of him playing “Serves Me Right to Suffer” a few days ago and I haven’t been able to get it out of my head since.  The man was definitely one of the greats.

Feb 072008

"Today is the day that all the world will see"

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I woke up with this song in my head this morning. One of the most life affirming tunes I’ve ever heard. Also kind of appropo, since I often have an insanely hard time waking up in the morning.

Oasis, doing a live performance of “Morning Glory” off of (What’s the Story) Morning Glory?